Pastoral Resources

I was an original member of the Actors' Studio.

I can understand why people get annoyed at being remembered for one thing, but a lot of actors aren't remembered for anything. I don't mind that.

Billy Campbell who is... I... truly one of the most talented actors today.

I'm not in the loop; I don't know any actors, really, just the ones I work with.

As actors, we went where we wanted to, and the camera followed us: it was like having another person in the room. There was no formal structure to the process. It was very liberating.

I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.

It's also that comedians don't have the kind of narcissism that actors have. They're writers who perform their own material. It's more interesting. And they're sexy because they risk more. Stand-up comedians risk more than anyone.

I think actors have a choice of drawing attention to themselves or living on the outskirts.

I know a lot of actors don't watch themselves on TV, but I think it's good to see how else you can improve.

I did start reading quite young but I was always read to by my parents, who are both actors. Bedtime stories from when I was about two/three to when I was about 15. In fact they didn't stop until I eventually kind of kicked them out of my bedroom.

How many actors have a shot at being a part of something that became a part of pop culture? It's been very rewarding. I'm not getting the 20 million bucks for the new movies, but at least I'm getting warmth and recognition from people wherever I go.

I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off.

A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place to learn.

Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me because I'm ready to quit after number two.

Directors say that you should get actors before they are recognized. They will be a pain or have an opinion.

Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.

A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things; you'd say, 'That's what a child would do.'

Many plays - certainly mine - are like blank checks. The actors and directors put their own signatures on them.