Pastoral Resources

The difference between critics and audiences is that one is a group of humans and one is not.

We are pushing ahead as fast as we can for all audiences, whether for the business user, the child, or the digital music enthusiast.

If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.

I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.

Obviously, CGI in the last ten years has gone through such leaps and bounds that today, people are looking for these kinds of movies to wow audiences with technology.

Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.

I want to do what I want when I want to do it not be dictated to by audiences.

I love to play for audiences that are simply made of people rather than so-called special people.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

I've never worried about what audiences would accept or had a game plan regarding the career. I never had an idea of how I should look to my fans or anybody else.

Audiences are audiences.

You always draw on your experiences with live audiences to know how to do comedy on films. You're working for a laugh that may or may not come six months later, but you're working in a vacuum at the time you are doing it.

We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.

This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.

The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.

Cable penetrates 70 percent of American audiences now.

Audiences like to see the bad guys get their comeuppance.

In day-to-day commerce, television is not so much interested in the business of communications as in the business of delivering audiences to advertisers. People are the merchandise, not the shows. The shows are merely the bait.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

I don't make movies because I think audiences will want to go see them.