Veprat e Apostujve 19:29

Shqip Bible

Dhe gjithë qyteti u mbush me rrëmujë; dhe si i morën me forcë Gain dhe Aristarkun, Maqedonas, bashkudhëtarë të Palit, rendën të gjithë, me një mendje, në teatër.

Bible Verse Review
  from Treasury of Scripure Knowledge

the whole: Acts 19:32, Acts 17:8, Acts 21:30, Acts 21:38

Gaius: Romans 16:23, 1 Corinthians 1:14

Aristarchus: Acts 20:4, Acts 27:2, Colossians 4:10, Philemon 1:24

Macedonia: Macedonia, an extensive province of Greece, was bounded on the north by the mountains of Haemus, on the south by Epirus and Achaia, on the east by the Aegean sea and Thrace, and on the west by the Adriatic sea; celebrated in all histories as being the third kingdom which, under Alexander the Great, obtained the empire of the world, and had under it 150 nations.

the theatre: 1 Corinthians 4:9,*Gr.

Reciprocal: Ephesians 4:31 - clamour James 3:16 - there 3 John 1:1 - the wellbeloved

Gill's Notes on the Bible

And the whole city was filled with confusion,.... For the workmen that made the silver shrines very likely ran up and down in the city, crying out, great is Diana of the Ephesians, which brought the people out of their houses to inquire what was the matter; and the mob gathering and increasing, as they went along, threw the whole city into confusion and disorder:

and having caught Gaius and Aristarchus, men of Macedonia; the latter of these was of Thessalonica in Macedonia, as appears from

Acts 20:4 but of what place the former was, is not certain; however, being a Macedonian, he could not be the Gaius of Derbe, mentioned in the same place, nor the Gaius of Corinth, 1 Corinthians 1:14 but some third person. They are both Greek names; Aristarchus signifies the chief of princes, or the prince of chiefs; and Gaius is a name taken from the joy of parents, and is the same with the Roman name, Caius; they are both reckoned among the seventy disciples; the former is said to be bishop of Apamea in Phrygia, and the latter Bishop of Ephesus;

1 Corinthians 1:14- :

Paul's companions in travel; whom he brought with him out of Macedonia, and who had been with him to Jerusalem and Antioch, and were now returned with him to Ephesus, where they had been with him for the space of two years, or more: it is very much that this mob had not seized on Paul himself: it may be Paul was within doors, and these were without in the streets, and so were laid hold upon and carried away in a most forcible and violent manner by them: who having got them,

they rushed with one accord into the theatre; where the public plays were acted in honour of the goddess Diana, and where, among other things, men were set to fight with wild beasts; and very likely the intention of the mob, in hurrying Paul's companions thither, was to throw them to the wild beasts. A theatre is a spectacle or show, so called, because in them fights were shown, plays were acted, games exercised, and battles fought between men and men, and between men and beasts, and between beasts and beasts; concerning which, take the following account x:

"Theatre, among the ancients, is a public edifice for the exhibiting of scenic spectacles, or shows to the people--under the word theatre was comprehended not only the eminence, whereon the actors appeared, and the action passed, but also the whole area, or extent of the place common to the actors and spectators: in this sense the theatre was a building encompassed with porticos, and furnished with seats of stone, disposed in semicircles, and ascending gradually over one another, which encompassed a space called the "orchestra"; in the front whereof was the "proscenium" or "pulpitum", whereon the actors performed the "scena", a large front adorned with orders of architecture; behind which was "postscenium", or the place where the actors made themselves ready, retired, c. so that the "scena", in its full extent, comprehended all the part belonging to the actors. In the Greek theatres, the "orchestra" made a part of the "scena" but in the Roman theatres, none of the actors ever descended into the "orchestra", which was taken up by the seats of the senators.''

For the better understanding the terms used, and the several parts of the theatre, let it be observed, that the "scena", according to others y was the place from whence the actors first went out; and it reached from one corner of the theatre to the other, and was threefold; "tragical", which was adorned in a royal manner with pillars and signs; "comical", which represented private buildings; and "satirical", which exhibited trees, caves, mountains, c. Likewise, the "scena" was either "versile", when on a sudden the whole scene was turned by some machines or "ductile", when by drawing away the boards the inward face of the scene appeared, or by drawing curtains. The "proscenium" was a place lower than the scene, in which the actors chiefly spoke and acted: the "postscenium" was a place in which these things were done, which could not be done fitly, and with decorum in the scenes: the "pulpitum" was a higher place in the "proscenium", in which those that recited stood: the "orchestra" was the last place, in which they danced, and near which the senators sat. Tarquinius Priscus was the first who introduced plays among the Romans; and the temple of Bacchus at Athens was the first theatre in the world, the remains of which are still to be seen. Of this theatre at Ephesus I have not met with any account; whether it was in the temple, or without, is not certain; very likely it might be a part of it, or adjoin unto it.

x Chamber's Cyclopaedia in the word "Theatre". y Nieupoort. Compend. Antiqu. Roman. p. 285, 286. Yid. Alex. ab Alex. Genial. Diet. l. 5. c. 16.

Barnes' Notes on the Bible

Confusion - Tumult; disorder.

Gaius - He had lived at Corinth, and had kinky entertained Paul at his house, 1 Corinthians 1:14; Romans 16:23.

Aristarchus - He attended Paul to Rome, and was there a prisoner with him, Colossians 4:10.

With one accord - Tumultuously; or with one mind or purpose.

Into the theatre - The theaters of the Greeks were not only places for public exhibitions, but also for holding assemblies, and often for courts, elections, etc. The people, therefore, naturally rushed there, as being a suitable place to decide this matter.

Clarke's Notes on the Bible

Verse 29. The whole city was filled with confusion — Thus we find the peace of the whole city was disturbed, not by an apostle preaching the Gospel of Christ, but by one interested, unprincipled knave, who did not even plead conscience for what he was doing; but that it was by this craft he and his fellows got their wealth, and he was afraid to lose it.

Rushed - into the theatre. — The theatres, being very spacious and convenient places, were often used for popular assemblies and public deliberation, especially in matters which regarded the safety of the state. There are several proofs of this in ancient authors. So Tacitus, Hist. ii. 80, speaking concerning Vespasian, says: Antiochensium theatrum ingressus, ubi illis consultare mos est, concurrentes et in adulationem effusos alloquitur. "Having entered into the theatre of the Antiochians, where it was the custom to hold consultations, the people running together, and being profuse in flattery, he addressed them." Frontinus, in Stratagem lib. iii. cap. 2, speaking of a public meeting at the theatre at Agrigentum, observes, ubi ex more Graecorum locus consultationi praebebatur; which, according to the custom of the Greeks, is the place for public deliberation. See several examples in Kypke.