1 Kings 7:14

THE MESSAGE

Parallel Translations

Christian Standard Bible®
He was a widow’s son from the tribe of Naphtali, and his father was a man of Tyre, a bronze craftsman. Hiram had great skill, understanding, and knowledge to do every kind of bronze work. So he came to King Solomon and carried out all his work.

Hebrew Names Version
He was the son of a widow of the tribe of Naftali, and his father was a man of Tzor, a worker in brass; and he was filled with wisdom and understanding and skill, to work all works in brass. He came to king Shlomo, and performed all his work.

King James Version
He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work.

English Standard Version
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze. And he was full of wisdom, understanding, and skill for making any work in bronze. He came to King Solomon and did all his work.

New Century Version
Huram's mother was a widow from the tribe of Naphtali. His father was from Tyre and had been skilled in making things from bronze. Huram was also very skilled and experienced in bronze work. So he came to King Solomon and did all the bronze work.

New English Translation
He was the son of a widow from the tribe of Naphtali, and his father was a craftsman in bronze from Tyre. He had the skill and knowledge to make all kinds of works of bronze. He reported to King Solomon and did all the work he was assigned.

Amplified Bible
He was the son of a widow from the tribe of Naphtali, and his father was a man of Tyre, a craftsman in bronze. Hiram was filled with wisdom, understanding, and skill for doing any [kind of] work in bronze. So he came to King Solomon and did all his [bronze] work.

New American Standard Bible
He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, an artisan in bronze; and he was filled with wisdom, skill, and knowledge for doing any work in bronze. So he came to King Solomon and performed all his work.

Geneva Bible (1587)
He was a widowes sonne of the tribe of Naphtali, his father being a man of Tyrus, and wrought in brasse: he was full of wisedome, and vnderstanding, and knowledge to worke all maner of worke in brasse: who came to King Salomon, and wrought all his worke.

Legacy Standard Bible
He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze; and he was filled with wisdom and discernment and knowledge to do any work in bronze. So he came to King Solomon and did all his work.

Complete Jewish Bible
He was the son of a widow from the tribe of Naftali, but his father was from Tzor, a bronze-worker filled with wisdom, understanding and skill for all kinds of bronze craftsmanship. He came to King Shlomo and did all his bronzework.

Darby Translation
He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; and he was full of wisdom and understanding and knowledge, to do all kinds of works in brass. And he came to king Solomon, and made all his work.

Easy-to-Read Version
Huram's mother was an Israelite from the tribe of Naphtali. His dead father was from Tyre. Huram made things from bronze. He was a very skilled and experienced builder. So King Solomon asked him to come, and Huram accepted. King Solomon put him in charge of all the bronze work, and Huram did all the work he was given to do.

George Lamsa Translation
He was a widows son of the tribe of Naphtali, and his father was an artist and a worker in brass; and he was filled with wisdom and understanding and cunning knowledge to fashion any work in brass. And he came to King Solomon and did all his work.

Good News Translation
His father, who was no longer living, was from Tyre, and had also been a skilled bronze craftsman; his mother was from the tribe of Naphtali. Huram was an intelligent and experienced craftsman. He accepted King Solomon's invitation to be in charge of all the bronze work.

Lexham English Bible
He was the son of a widow woman from the tribe of Naphtali, and his father was a man of Tyre, an artisan of bronze. He was filled with wisdom and with ability and with the knowledge to do all the work with the bronze. And he came to King Solomon, and he did all of his work.

Literal Translation
He was the son of a widow woman of the tribe of Naphtali, and his father a man of Tyre, an engraver in bronze. And he was filled with the wisdom and understanding and knowledge to do all work in bronze. And he came to King Solomon and did all his work.

Miles Coverdale Bible (1535)
a wedowes sonne, of the trybe of Nephtali, and his father had bene a man of Tyre, which was a connynge ma in metall, full of wy?dome, vnderstondinge and knowlege to worke all maner of metall worke. Whan he came to kynge Salomon, he made all his worke,

American Standard Version
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; and he was filled with wisdom and understanding and skill, to work all works in brass. And he came to king Solomon, and wrought all his work.

Bible in Basic English
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; he was full of wisdom and knowledge and an expert worker in brass. He came to King Solomon and did all his work for him.

Bishop's Bible (1568)
A widowes sonne of ye tribe of Nephthalim, his father being a man of Tyre: Which Hiram was a craftesman in brasse, ful of wisedome, vnderstanding, and cunning, to worke all maner of worke in brasse: And he came to king Solomon, and wrought all his worke.

JPS Old Testament (1917)
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; and he was filled with wisdom and understanding and skill, to work all works in brass. And he came to king Solomon, and wrought all his work.

King James Version (1611)
Hee was a widowes sonne of the tribe of Naphtali, and his father was a man of Tyre, a worker in brasse, and he was filled with wisedome, and vnderstanding, and cunning to worke all workes in brasse: and hee came to king Solomon, and wrought all his worke.

English Revised Version
He was the son of a widow woman of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; and he was filled with wisdom and understanding and cunning, to work all works in brass. And he came to king Solomon, and wrought all his work.

Berean Standard Bible
He was the son of a widow from the tribe of Naphtali, and his father was a man of Tyre, a craftsman in bronze. Huram had great skill, understanding, and knowledge for every kind of bronze work. So he came to King Solomon and carried out all his work.

Wycliffe Bible (1395)
of the lynage of Neptalym, of the fadir a man of Tyre, Hiram, a crafty man of brasse, and ful of wisdom, and vndirstondynge, and doctryn, to make al werk of bras. And whanne he hadde come to kyng Salomon, he made al hys werk.

Young's Literal Translation
he [is] son of a woman, a widow, of the tribe of Naphtali, and his father a man of Tyre, a worker in brass, and he is filled with the wisdom and the understanding, and the knowledge to do all work in brass -- and he cometh unto king Solomon, and doth all his work.

Update Bible Version
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze; and he was filled with the wisdom and the understanding and the knowledge to work all works in bronze. And he came to king Solomon, and wrought all his work.

Webster's Bible Translation
He [was] a widow's son of the tribe of Naphtali, and his father [was] a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and ingenious to work all works in brass. And he came to king Solomon, and wrought all his work.

World English Bible
He was the son of a widow of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass; and he was filled with wisdom and understanding and skill, to work all works in brass. He came to king Solomon, and performed all his work.

New King James Version
He was the son of a widow from the tribe of Naphtali, and his father was a man of Tyre, a bronze worker; he was filled with wisdom and understanding and skill in working with all kinds of bronze work. So he came to King Solomon and did all his work.

New Living Translation
He was half Israelite, since his mother was a widow from the tribe of Naphtali, and his father had been a craftsman in bronze from Tyre. Huram was extremely skillful and talented in any work in bronze, and he came to do all the metal work for King Solomon.

New Life Bible
Hiram was the son of a woman whose husband had died, from the family of Naphtali. His father was a man of Tyre, who worked with brass. He was filled with wisdom and understanding and much learning for doing any work with brass. So he came to King Solomon, and did all his work.

New Revised Standard
He was the son of a widow of the tribe of Naphtali, whose father, a man of Tyre, had been an artisan in bronze; he was full of skill, intelligence, and knowledge in working bronze. He came to King Solomon, and did all his work.

J.B. Rotherham Emphasized Bible
son of a widow woman, was he of the tribe of Naphtali, but, his father, was a man of Tyre, a worker in bronze, and he was filled with wisdom, and discernment, and knowledge, for executing all manner of work in bronze, - so he came unto King Solomon, and executed all his work.

Douay-Rheims Bible
The son of a widow woman, of the tribe of Nephthali, whose father was a Tyrian, an artificer in brass, and full of wisdom, and understanding, and skill to work all work in brass. And when he was come to king Solomon, he wrought all his work.

Revised Standard Version
He was the son of a widow of the tribe of Naph'tali, and his father was a man of Tyre, a worker in bronze; and he was full of wisdom, understanding, and skill, for making any work in bronze. He came to King Solomon, and did all his work.

New American Standard Bible (1995)
He was a widow's son from the tribe of Naphtali, and his father was a man of Tyre, a worker in bronze; and he was filled with wisdom and understanding and skill for doing any work in bronze. So he came to King Solomon and performed all his work.

Contextual Overview

¹³King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. ¹⁵First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²³ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²⁴ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. ²⁵The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. ²⁷Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. ³⁴There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. ³⁸He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴¹ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴² It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple.

Bible Verse Review
  from Treasury of Scripure Knowledge

a widow's son: Heb. the son of a widow woman

tribe: The mother of Hiram - not the Tyrian king mentioned before, but an intelligent coppersmith, of Jewish extraction by his mother's side in Chronicles, is said to have been of "the daughters of Dan;" and she might have been of Naphtali by her father, and of Dan by her mother; or she might originally be of the tribe of Dan, and have been first married to a man of the tribe of Naphtali; and, in either case, she might be indifferently called "of the tribe of Naphtali," or of "the daughters of Dan."

Naphtali: 2 Chronicles 2:14

his father: 2 Chronicles 4:16

he was filled: Exodus 31:2-6, Exodus 35:30-35, Exodus 36:1, Exodus 36:2, Exodus 36:8, Isaiah 28:26

Reciprocal: Exodus 31:3 - filled Exodus 31:4 - General Exodus 35:35 - he filled 1 Chronicles 22:15 - all manner 2 Chronicles 2:7 - cunning Proverbs 8:12 - knowledge

Cross-References

Genesis 7:2
"Take on board with you seven pairs of every clean animal, a male and a female; one pair of every unclean animal, a male and a female; and seven pairs of every kind of bird, a male and a female, to insure their survival on Earth. In just seven days I will dump rain on Earth for forty days and forty nights. I'll make a clean sweep of everything that I've made."

Gill's Notes on the Bible

He was a widow's son of the tribe of Naphtali,.... In 2 Chronicles 2:14, his mother is said to be of the daughters of Dan, as she might be, and yet her son of the tribe of Naphtali; for either she was of the city of Dan, which is placed in the tribe of Naphtali m, or her mother was of the tribe of Dan; and therefore she is said to be of the daughters of Dan, when her father was of the tribe of Naphtali, as it is expressed by the Targum on 2 Chronicles 2:14, and in which way most of the Jewish commentators reconcile this; or she was of Dan, and her husband of Naphtali besides, if there was any mistake, it must be ascribed, not to the sacred historians, but to the king of Tyre, whose words they are in the above place, and who might not be so well acquainted with the tribe this man and his parents were of:

and his father was a man of Tyre; not a Tyrian by birth, but one who had dwelt there a while, and therefore so called, as Obededom, for a like reason, is called the Gittite:

a worker in brass; and he was filled with wisdom, and understanding, and cunning to work all works in brass; which might be true both of the father and of the son, and especially of the son, who had improved upon his father's knowledge and instructions; and who was skilful to work in other things besides brass, as gold, silver, iron, stone, timber, purple, blue and fine linen, crimson, and all sorts of engraving, and every device that could be put to him by the most ingenious workmen that either David or Solomon had, 2 Chronicles 2:14, but this is only mentioned, because it was in such work he was only employed by Solomon; and it seems, by the mode of expression, that, besides his natural genius, and his diligence and industry, he was filled with wisdom from God more immediately for this service, as Bezaleel and Aholiab were for the service of the tabernacle:

and he came to King Solomon, and wrought all his work; in brass, as follows.

m Vid. Adrichom. Theat. T. S. p. 105. Fuller's Pisgah-Sight, 107.

Barnes' Notes on the Bible

Hiram’s mother, while by birth of the tribe of Dan, had had for her first husband a man of the tribe of Naphtali. (Compare this verse and margin reference.)

All his work - The work that he personally did for Solomon seems to have been limited to metal-work, and indeed to works in brass. (See below, 1 Kings 7:45, and compare 2 Chronicles 4:16.)