1 Kings 7:37

THE MESSAGE

Parallel Translations

Christian Standard Bible®
In this way he made the ten water carts using the same casting, dimensions, and shape for all of them.

Hebrew Names Version
After this manner he made the ten bases: all of them had one casting, one measure, and one form.

King James Version
After this manner he made the ten bases: all of them had one casting, one measure, and one size.

English Standard Version
After this manner he made the ten stands. All of them were cast alike, of the same measure and the same form.

New Century Version
This is the way Huram made the ten stands. The bronze for each stand was melted and poured into a mold, so all the stands were the same size and shape.

New English Translation
He made the ten stands in this way. All of them were cast in one mold and were identical in measurements and shape.

Amplified Bible
He made the ten stands like this: they all had one casting, one measure, and one form.

New American Standard Bible
He made the ten stands like this: all of them had the same casting, same measure, and same form.

Geneva Bible (1587)
Thus made he the tenne bases, They had all one casting, one measure, and one syse.

Legacy Standard Bible
He made the ten stands like this: all of them had one casting, one measure and one form.

Contemporary English Version
Hiram made the ten bronze stands from the same mold, so they were exactly the same size and shape.

Complete Jewish Bible
According to this design he made the ten trolleys; all of them were cast from a single mold, so that they had the same size and shape.

Darby Translation
After this [manner] he made the ten bases: all of them had one casting, one measure, one form.

Easy-to-Read Version
Huram made ten carts, and they were all the same. Each cart was made from bronze. The bronze was melted and poured into a mold. So all the carts were the same size and shape.

George Lamsa Translation
After this manner he made the ten bases: all of them were of one casting, one measure, and one size.

Good News Translation
This, then, is how the carts were made; they were all alike, having the same size and shape.

Lexham English Bible
He made the ten stands like this in one cast, with the same measurement and shape for each of them.

Literal Translation
So he made the ten bases, one casting, one measure, one form was to them all.

Miles Coverdale Bible (1535)
After this maner made he ten molte seates, one maner of measure & widenes was in all.

American Standard Version
After this manner he made the ten bases: all of them had one casting, one measure, and one form.

Bible in Basic English
All the ten bases were made in this way, after the same design, of the same size and form.

Bishop's Bible (1568)
Thus made he the ten feete after this maner: and they had all one fashion of casting, one measure, and one syse.

JPS Old Testament (1917)
After this manner he made the ten bases; all of them had one casting, one measure, and one form.

King James Version (1611)
After this maner he made the ten bases: all of them had one casting, one measure, and one size.

English Revised Version
After this manner he made the ten bases: all of them had one casting, one measure, and one form.

Berean Standard Bible
In this way he made the ten stands, each with the same casting, dimensions, and shape.

Wycliffe Bible (1395)
Bi this maner he made ten foundementis, bi o yetyng and mesure, and lijk grauyng.

Young's Literal Translation
Thus he hath made the ten bases; one casting, one measure, one form, have they all.

Update Bible Version
After this manner he made the ten bases: all of them had one casting, one measure, and one form.

Webster's Bible Translation
After this [manner] he made the ten bases: all of them had one casting, one measure, [and] one size.

World English Bible
After this manner he made the ten bases: all of them had one casting, one measure, and one form.

New King James Version
Thus he made the ten carts. All of them were of the same mold, one measure, and one shape.

New Living Translation
All ten water carts were the same size and were made alike, for each was cast from the same mold.

New Life Bible
He made the ten stands like this. All of them were made alike. They had the same length, width and height, and looked the same.

New Revised Standard
In this way he made the ten stands; all of them were cast alike, with the same size and the same form.

J.B. Rotherham Emphasized Bible
Thus, made he the ten stands, - one mould, one measure, one shape, had they, all.

Douay-Rheims Bible
After this manner, he made ten bases, of one casting and measure, and the like graving.

Revised Standard Version
After this manner he made the ten stands; all of them were cast alike, of the same measure and the same form.

New American Standard Bible (1995)
He made the ten stands like this: all of them had one casting, one measure and one form.

Contextual Overview

¹³King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. ¹⁵First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²³ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²⁴ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. ²⁵The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. ²⁷Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. ³⁴There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. ³⁸He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴¹ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴² It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple.

Bible Verse Review
  from Treasury of Scripure Knowledge

Gill's Notes on the Bible

After this manner he made the ten bases,.... This was the form and fashion of them as above described:

all of them had one casting, one measure, and one size; they were all cast into the same mould, and were exactly alike in their form, figures, and size, and each weighed 2000 talents, and the weight of a talent was ninety three pounds and upwards, according to Jacob Leon b.

b Relation of Memorable Things in the Temple, c. 4. p. 21.