1 Kings 7:18

THE MESSAGE

Parallel Translations

Christian Standard Bible®
He made the pillars with two encircling rows of pomegranates on the one grating to cover the capital on top; he did the same for the second capital.

Hebrew Names Version
So he made the pillars; and there were two rows round about on the one network, to cover the capitals that were on the top of the pillars: and so did he for the other capital.

King James Version
And he made the pillars, and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates: and so did he for the other chapiter.

English Standard Version
Likewise he made pomegranates in two rows around the one latticework to cover the capital that was on the top of the pillar, and he did the same with the other capital.

New Century Version
He made two rows of bronze pomegranates to go on the nets. These covered the capitals at the top of the pillars.

New English Translation
When he made the pillars, there were two rows of pomegranate-shaped ornaments around the latticework covering the top of each pillar.

Amplified Bible
So Hiram made the pillars [in this manner], and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and he did the same for the other capital.

New American Standard Bible
So he made the pillars, and two rows around on the one lattice to cover the capitals which were on the top of the pomegranates; and so he did for the other capital.

Geneva Bible (1587)
So he made the pillars and two rowes of pomegranates round about in the one grate to couer the chapiters that were vpon the top. And thus did he for the other chapiter.

Legacy Standard Bible
So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital.

Contemporary English Version
with two rows of designs that looked like pomegranates.

Complete Jewish Bible
When he made the columns, he made two rows of pomegranates to put at the top of each column around the netting covering its capital.

Darby Translation
And he made pomegranates, namely two rows round about upon the one network, to cover the capitals that were upon the top of the pillars; and so he did for the other capital.

Easy-to-Read Version
Then he made two rows of bronze pomegranates. He put the bronze pomegranates on the nets of each column to cover the capitals at the top of the columns.

George Lamsa Translation
And he made the pillars, and two rows of buds round about upon one network, to cover the capitals that were upon the top of the pillars; and he did so to the other pillar.

Good News Translation
and two rows of bronze pomegranates.

Lexham English Bible
He also made the pillars with two rows around on the lattice, each to cover the capitals which were on top, out of the pomegranate-shaped ornaments, and thus he did for the second capital as well.

Literal Translation
And he made the pillars. And two rows were all around on the one grating, to cover the capitals on the top with the pomegranates. And so he did for the other capital.

Miles Coverdale Bible (1535)
And vpon euery knoppe he made two rowes of pomgranates rounde aboute on one rope, wherwith ye knoppe was couered.

American Standard Version
So he made the pillars; and there were two rows round about upon the one network, to cover the capitals that were upon the top of the pillars: and so did he for the other capital.

Bible in Basic English
And he made ornaments of apples; and two lines of apples all round over the network, covering the crowns of the pillars, the two crowns in the same way.

Bishop's Bible (1568)
And so he made the pillers, and two rowes of pomegranets rounde about in the one networke to couer the pommels that were vpon the top: and this he did also, for the other head peece.

JPS Old Testament (1917)
And he made the pillars; and there were two rows round about upon the one network, to cover the capitals that were upon the top of the pomegranates; and so did he for the other capital.

King James Version (1611)
And he made the pillars, and two rowes round about vpon the one networke, to couer the chapiters that were vpon the top, with pomegranates: and so did he for the other chapiter.

English Revised Version
So he made the pillars; and there were two rows round about upon the one network, to cover the chapiters that were upon the top of the pillars: and so did he for the other chapiter.

Berean Standard Bible
Likewise, he made the pillars with two rows of pomegranates around each grating to cover each capital atop the pillars.

Wycliffe Bible (1395)
And he made perfitli the pilers, and twei ordris `bi cumpas of alle werkis lijk nettis, that tho schulden hile the pomels, that weren on the hiynesse of pumgarnadis; in the same maner he dide also to the secounde pomel.

Young's Literal Translation
And he maketh the pillars, and two rows round about on the one net-work, to cover the chapiters that [are] on the top, with the pomegranates, and so he hath made for the second chapiter.

Update Bible Version
So he made the pillars; and there were two rows round about on the one network, to cover the capitals that were on the top of the pomegranates: and so he did for the other capital.

Webster's Bible Translation
And he made the pillars, and two rows around upon the one net-work, to cover the capitals that [were] upon the top, with pomegranates: and so he did for the other capital.

World English Bible
So he made the pillars; and there were two rows round about on the one network, to cover the capitals that were on the top of the pillars: and so did he for the other capital.

New King James Version
So he made the pillars, and two rows of pomegranates above the network all around to cover the capitals that were on top; and thus he did for the other capital.

New Living Translation
He also encircled the latticework with two rows of pomegranates to decorate the capitals over the pillars.

New Life Bible
So Hiram made the pillars. There were two rows of pomegranates around each network, to cover the top pieces.

New Revised Standard
He made the columns with two rows around each latticework to cover the capitals that were above the pomegranates; he did the same with the other capital.

J.B. Rotherham Emphasized Bible
So he made the pillars, - and, two rows round about, upon the one frame of checker work, covering the capitals which were upon the top with pomegranates, thus also, did he for the other capital.

Douay-Rheims Bible
And he made the pillars, and two rows round about each network to cover the chapiters, that were upon the top, with pomegranates: and in like manner did he to the other chapiter.

Revised Standard Version
Likewise he made pomegranates; in two rows round about upon the one network, to cover the capital that was upon the top of the pillar; and he did the same with the other capital.

New American Standard Bible (1995)
So he made the pillars, and two rows around on the one network to cover the capitals which were on the top of the pomegranates; and so he did for the other capital.

Contextual Overview

¹³King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. ¹⁵First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²³ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²⁴ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. ²⁵The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. ²⁷Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. ³⁴There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. ³⁸He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴¹ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴² It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple.

Bible Verse Review
  from Treasury of Scripure Knowledge

Exodus 28:14, Exodus 28:22, Exodus 28:24, Exodus 28:25, Exodus 39:15-18, 2 Kings 25:17

Reciprocal: Exodus 28:33 - pomegranates 1 Kings 7:41 - two networks

Cross-References

Psalms 69:15
Don't let the swamp be my grave, the Black Hole Swallow me, its jaws clenched around me.

Gill's Notes on the Bible

And he made the pillars,.... Or adorned them in this manner:

and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates; that is, there were two rows of figures like pomegranates upon the net or branch work that covered the chapiters that were on the top of the pillars; and Kimchi owns, that some copies so read, on the top of the pillars, instead of pomegranates, though he thinks it a mistake:

and so did he for the other chapiter; put two rows about that also.

Barnes' Notes on the Bible

The pomegranate was one of the most common ornaments in Assyria. It was used on quivers, on spear-shafts, and maceheads, in patterns on doorways and pavements, etc. It is doubtful whether a symbolic meaning was attached to it, or whether it was merely selected as a beautiful natural form.