1 Kings 7:19

THE MESSAGE

Parallel Translations

Christian Standard Bible®
And the capitals on top of the pillars in the portico were shaped like lilies, six feet high.

Hebrew Names Version
The capitals that were on the top of the pillars in the porch were of lily-work, four cubits.

King James Version
And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits.

English Standard Version
Now the capitals that were on the tops of the pillars in the vestibule were of lily-work, four cubits.

New Century Version
The capitals on top of the pillars in the porch were shaped like lilies, and they were six feet tall.

New English Translation
The tops of the two pillars in the porch were shaped like lilies and were six feet high.

Amplified Bible
The capitals which were upon the top of the pillars in the porch were of lily work (design), four cubits.

New American Standard Bible
The capitals which were on the tops of the pillars in the porch were of lily design, four cubits.

Geneva Bible (1587)
And the chapiters that were on the toppe of the pillars were after lilye worke in ye porch, foure cubites.

Legacy Standard Bible
Now the capitals which were on the top of the pillars in the porch were of lily design, four cubits.

Contemporary English Version
The caps for the columns of the porch were six feet high and were shaped like lilies.

Complete Jewish Bible
The capitals on the columns in the hall had shapes like lilies and were seven feet high.

Darby Translation
And the capitals that were upon the top of the pillars were of lily-work [as] in the porch, four cubits.

Easy-to-Read Version
The capitals on top of the columns were shaped like flowers.

George Lamsa Translation
And the capitals that were upon the top of the pillars were of lily work in the porch, four cubits.

Good News Translation
The capitals were shaped like lilies, 6 feet tall,

Lexham English Bible
And on the capitals which were on top of the pillars in the porch were works of lilies four cubits high.

Literal Translation
And the capitals on the top of the pillars in the porch were lily-work, four cubits.

Miles Coverdale Bible (1535)
And the knoppes were like roses before ye porche foure cubites greate.

American Standard Version
And the capitals that were upon the top of the pillars in the porch were of lily-work, four cubits.

Bible in Basic English
The crowns on the tops of the pillars were ornamented with a design of flowers, and were four cubits across.

Bishop's Bible (1568)
And the pommels that were on the top of the pillers, were after lillie worke in the porche foure cubites.

JPS Old Testament (1917)
And the capitals that were upon the top of the pillars in the porch were of lily-work, four cubits.

King James Version (1611)
And the chapiters that were vpon the top of the pillars, were of lillie worke in the porch, foure cubites.

English Revised Version
And the chapiters that were upon the top of the pillars in the porch were of lily work, four cubits.

Berean Standard Bible
And the capitals atop the pillars in the portico were shaped like lilies, four cubits high.

Wycliffe Bible (1395)
Sotheli the pomels, that weren on the heedis of the pilers in the porche, weren maad as bi the werk of lilye, of foure cubitis;

Young's Literal Translation
And the chapiters that [are] on the top of the pillars [are] of lily-work in the porch, four cubits;

Update Bible Version
And the capitals that were on the top of the pillars in the porch were of lily-work, four cubits.

Webster's Bible Translation
And the capitals that [were] upon the top of the pillars [were] of lily-work in the porch, four cubits.

World English Bible
The capitals that were on the top of the pillars in the porch were of lily-work, four cubits.

New King James Version
The capitals which were on top of the pillars in the hall were in the shape of lilies, four cubits.

New Living Translation
The capitals on the columns inside the entry room were shaped like water lilies, and they were six feet tall.

New Life Bible
Now the top pieces on the pillars of the porch were made to look like lily flowers, as tall as a man.

New Revised Standard
Now the capitals that were on the tops of the pillars in the vestibule were of lily-work, four cubits high.

J.B. Rotherham Emphasized Bible
And, the capitals which were upon the top of the pillars, were of lily work, in span, four cubits.

Douay-Rheims Bible
And the chapiters that were upon the top of the pillars, were of lily work, in the porch of four cubits.

Revised Standard Version
Now the capitals that were upon the tops of the pillars in the vestibule were of lily-work, four cubits.

New American Standard Bible (1995)
The capitals which were on the top of the pillars in the porch were of lily design, four cubits.

Contextual Overview

¹³King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. ¹⁵First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²³ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ²⁴ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. ²⁵The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. ²⁷Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. ³⁴There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. ³⁸He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴¹ It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple. ⁴² It took Solomon another thirteen years to finish building his own palace complex. He built the Palace of the Forest of Lebanon a hundred and fifty feet long, seventy-five feet wide, and forty-five feet high. There were four rows of cedar columns supporting forty-five cedar beams, fifteen in each row, and then roofed with cedar. Windows in groupings of three were set high in the walls on either side. All the doors were rectangular and arranged symmetrically. He built a colonnaded courtyard seventy-five feet long and forty-five wide. It had a roofed porch at the front with ample eaves. He built a court room, the Hall of Justice, where he would decide judicial matters, and paneled it with cedar. He built his personal residence behind the Hall on a similar plan. Solomon also built another one just like it for Pharaoh's daughter, whom he had married. No expense was spared—everything here, inside and out, from foundation to roof was constructed using high-quality stone, accurately cut and shaped and polished. The foundation stones were huge, ranging in size from twelve to fifteen feet, and of the very best quality. The finest stone was used above the foundation, shaped to size and trimmed with cedar. The courtyard was enclosed with a wall made of three layers of stone and topped with cedar timbers, just like the one in the porch of The Temple of God . King Solomon sent to Tyre and asked Hiram (not the king; another Hiram) to come. Hiram's mother was a widow from the tribe of Naphtali. His father was a Tyrian and a master worker in bronze. Hiram was a real artist—he could do anything with bronze. He came to King Solomon and did all the bronze work. First he cast two pillars in bronze, each twenty-seven feet tall and eighteen feet in circumference. He then cast two capitals in bronze to set on the pillars; each capital was seven and a half feet high and flared at the top in the shape of a lily. Each capital was dressed with an elaborate filigree of seven braided chains and a double row of two hundred pomegranates, setting the pillars off magnificently. He set the pillars up in the entrance porch to The Temple; the pillar to the south he named Security (Jachin) and the pillar to the north Stability (Boaz). The capitals were in the shape of lilies. When the pillars were finished, Hiram's next project was to make the Sea—an immense round basin of cast metal fifteen feet in diameter, seven and a half feet tall, and forty-five feet in circumference. Just under the rim there were two bands of decorative gourds, ten gourds to each foot and a half. The gourds were cast in one piece with the Sea. The Sea was set on twelve bulls, three facing north, three facing west, three facing south, and three facing east; the bulls faced outward supporting the Sea on their hindquarters. The Sea was three inches thick and flared at the rim like a cup, or like a lily. It held about 11,500 gallons. Hiram also made ten washstands of bronze. Each was six feet square and four and a half feet tall. They were made like this: Panels were fastened to the uprights. Lions, bulls, and cherubim were represented on the panels and uprights. Beveled wreath-work bordered the lions and bulls above and below. Each stand was mounted on four bronze wheels with bronze axles. The uprights were cast with decorative relief work. Each stand held a basin on a circular engraved support a foot and a half deep set on a pedestal two and a quarter feet square. The washstand itself was square. The axles were attached under the stand and the wheels fixed to them. The wheels were twenty-seven inches in diameter; they were designed like chariot wheels. Everything—axles, rims, spokes, and hubs—was of cast metal. There was a handle at the four corners of each washstand, the handles cast in one piece with the stand. At the top of the washstand there was a ring about nine inches deep. The uprights and handles were cast with the stand. Everything and every available surface was engraved with cherubim, lions, and palm trees, bordered by arabesques. The washstands were identical, all cast in the same mold. He also made ten bronze washbasins, each six feet in diameter with a capacity of 230 gallons, one basin for each of the ten washstands. He arranged five stands on the south side of The Temple and five on the north. The Sea was placed at the southeast corner of The Temple. Hiram then fashioned the various utensils: buckets and shovels and bowls. Hiram completed all the work he set out to do for King Solomon on The Temple of God : two pillars; two capitals on top of the pillars; two decorative filigrees for the capitals; four hundred pomegranates for the two filigrees (a double row of pomegranates for each filigree); ten washstands each with its washbasin; one Sea; twelve bulls under the Sea; miscellaneous buckets, shovels, and bowls. All these artifacts that Hiram made for King Solomon for The Temple of God were of burnished bronze. He cast them in clay in a foundry on the Jordan plain between Succoth and Zarethan. These artifacts were never weighed—there were far too many! Nobody has any idea how much bronze was used. Solomon was also responsible for all the furniture and accessories in The Temple of God : the gold Altar; the gold Table that held the Bread of the Presence; the pure gold candelabras, five to the right and five to the left in front of the Inner Sanctuary; the gold flowers, lamps, and tongs; the pure gold dishes, wick trimmers, sprinkling bowls, ladles, and censers; the gold sockets for the doors of the Inner Sanctuary, the Holy of Holies, used also for the doors of the Main Sanctuary. That completed all the work King Solomon did on The Temple of God . He then brought in the items consecrated by his father David, the silver and the gold and the artifacts. He placed them all in the treasury of God 's Temple.

Bible Verse Review
  from Treasury of Scripure Knowledge

lily work: 1 Kings 7:22, 1 Kings 6:18, 1 Kings 6:32-35

Reciprocal: 1 Kings 7:26 - with flowers 1 Chronicles 28:15 - the candlesticks

Cross-References

Genesis 7:2
"Take on board with you seven pairs of every clean animal, a male and a female; one pair of every unclean animal, a male and a female; and seven pairs of every kind of bird, a male and a female, to insure their survival on Earth. In just seven days I will dump rain on Earth for forty days and forty nights. I'll make a clean sweep of everything that I've made."

Genesis 7:6
Noah was 600 years old when the floodwaters covered the Earth. Noah and his wife and sons and their wives boarded the ship to escape the flood. Clean and unclean animals, birds, and all the crawling creatures came in pairs to Noah and to the ship, male and female, just as God had commanded Noah. In seven days the floodwaters came.

Jeremiah 3:22
"We're here! We've come back to you. You're our own true God ! All that popular religion was a cheap lie, duped crowds buying up the latest in gods. We're back! Back to our true God , the salvation of Israel. The Fraud picked us clean, swindled us of what our ancestors bequeathed us, Gypped us out of our inheritance— God-blessed flocks and God-given children. We made our bed and now lie in it, all tangled up in the dirty sheets of dishonor. All because we sinned against our God , we and our fathers and mothers. From the time we took our first steps, said our first words, we've been rebels, disobeying the voice of our God ."

Gill's Notes on the Bible

And the chapiters that were upon the top of the pillars were of lily work in the porch,.... Or such as was in the porch of the temple; the work was like that wrought in the form of the flower of lilies open:

four cubits; of the five cubits of which the chapiters consisted, four of them were of lily work, the two rows of pomegranates taking up the other; though Dr. Lightfoot o thinks, that at the head of the pillar was a border or circle of lily work, that stood out four cubits under the chapiter, into and along the porch; a four cubit circle, after the manner of a spread lily.

o Prospect of the Temple, c. 13. sect. 2. p. 1075.

Barnes' Notes on the Bible

There is a cornice of (so-called) lilywork at Persepolis, consisting of three ranges of broadish rounded leaves, one over the other. Lilies are also represented with much spirit on a bas-relief from Koyunjik.