Study Desk

So everyone in the community of Israel left the presence of Moses. Then they came back, every one whose heart was roused, whose spirit was freely responsive, bringing offerings to God for building the Tent of Meeting, furnishing it for worship and making the holy vestments. They came, both men and women, all the willing spirits among them, offering brooches, earrings, rings, necklaces—anything made of gold—offering up their gold jewelry to God . And anyone who had blue, purple, and scarlet fabrics; fine linen; goats' hair; tanned leather; and dolphin skins brought them. Everyone who wanted to offer up silver or bronze as a gift to God brought it. Everyone who had acacia wood that could be used in the work, brought it. All the women skilled at weaving brought their weavings of blue and purple and scarlet fabrics and their fine linens. And all the women who were gifted in spinning, spun the goats' hair.

The leaders brought onyx and other precious stones for setting in the Ephod and the Breastpiece. They also brought spices and olive oil for lamp oil, anointing oil, and incense. Every man and woman in Israel whose heart moved them freely to bring something for the work that God through Moses had commanded them to make, brought it, a voluntary offering for God .

Moses told the Israelites, "See, God has selected Bezalel son of Uri, son of Hur, of the tribe of Judah. He's filled him with the Spirit of God, with skill, ability, and know-how for making all sorts of things, to design and work in gold, silver, and bronze; to carve stones and set them; to carve wood, working in every kind of skilled craft. And he's also made him a teacher, he and Oholiab son of Ahisamach, of the tribe of Dan. He's gifted them with the know-how needed for carving, designing, weaving, and embroidering in blue, purple, and scarlet fabrics, and in fine linen. They can make anything and design anything."

Moses summoned Bezalel and Oholiab along with all whom God had gifted with the ability to work skillfully with their hands. The men were eager to get started and engage in the work. They took from Moses all the offerings that the Israelites had brought for the work of constructing the Sanctuary. The people kept on bringing in their freewill offerings, morning after morning.

Then all the skilled artisans on The Dwelling made ten tapestries of fine twisted linen and blue, purple, and scarlet fabric with an angel-cherubim design worked into the material. Each panel of tapestry was forty-six feet long and six feet wide. Five of the panels were joined together, and then the other five. Loops of blue were made along the edge of the outside panel of the first set, and the same on the outside panel of the second set. They made fifty loops on each panel, with the loops opposite each other. Then they made fifty gold clasps and joined the tapestries together so that The Dwelling was one whole.

Next they made tapestries of woven goat hair for a tent that would cover The Dwelling. They made eleven panels of these tapestries. The length of each panel was forty-five feet long and six feet wide. They joined five of the panels together, and then the other six, by making fifty loops along the edge of the end panel and fifty loops along the edge of the joining panel, then making fifty clasps of bronze, connecting the clasps to the loops, bringing the tent together. They finished it off by covering the tapestries with tanned rams' skins dyed red, and covered that with dolphin skins.

They framed The Dwelling with vertical planks of acacia wood, each section of frame fifteen feet long and two and a quarter feet wide, with two pegs for securing them. They made all the frames identical: twenty frames for the south side, with forty silver sockets to receive the two tenons from each of the twenty frames; they repeated that construction on the north side of The Dwelling. For the rear of The Dwelling facing west, they made six frames, with two additional frames for the rear corners. Both of the two corner frames were double in thickness from top to bottom and fit into a single ring—eight frames altogether with sixteen sockets of silver, two under each frame.

They made crossbars of acacia wood, five for the frames on one side of The Dwelling, five for the other side, and five for the back side facing west. The center crossbar ran from end to end halfway up the frames. They covered the frames with a veneer of gold, made gold rings to hold the crossbars, and covered the crossbars with a veneer of gold.

They made the curtain of blue, purple, and scarlet material and fine twisted linen. They wove a design of angel-cherubim into it. They made four posts of acacia wood, covered them with a veneer of gold, and cast four silver bases for them.

They made a screen for the door of the tent, woven from blue, purple, and scarlet material and fine twisted linen with embroidery. They framed the weaving with five poles of acacia wood covered with a veneer of gold, and made gold hooks to hang the weaving and five bronze bases for the poles.

He made the Table from acacia wood. He made it three feet long, one and a half feet wide and two and a quarter feet high. He covered it with a veneer of pure gold and made a molding of gold all around it. He made a border a handbreadth wide all around it and a rim of gold for the border. He cast four rings of gold for it and attached the rings to the four legs parallel to the tabletop. They will serve as holders for the poles used to carry the Table. He made the poles of acacia wood and covered them with a veneer of gold. They will be used to carry the Table.

The west end of the Courtyard had seventy-five feet of hangings with ten posts and bases, and fastening hooks and bands of silver. Across the seventy-five feet at the front, or east end, were twenty-two and a half feet of hangings, with their three posts and bases on one side and the same for the other side. All the hangings around the Courtyard were of fine twisted linen. The bases for the posts were bronze and the fastening hooks and bands on the posts were of silver. The posts of the Courtyard were both capped and banded with silver. The screen at the door of the Courtyard was embroidered in blue, purple, and scarlet fabric with fine twisted linen. It was thirty feet long and seven and a half feet high, matching the hangings of the Courtyard. There were four posts with bases of bronze and fastening hooks of silver; they were capped and banded in silver. All the pegs for The Dwelling and the Courtyard were made of bronze.

Silver. The silver from those in the community who were registered in the census came to 6,437 pounds according to the Sanctuary standard—that amounted to a beka, or half-shekel, for every registered person aged twenty and over, a total of 603,550 men. They used the three and one-quarter tons of silver to cast the bases for the Sanctuary and for the hangings, one hundred bases at sixty-four pounds each. They used the remaining thirty-seven pounds to make the connecting hooks on the posts, and the caps and bands for the posts.

Vestments. Using the blue, purple, and scarlet fabrics, they made the woven vestments for ministering in the Sanctuary. Also they made the sacred vestments for Aaron, as God had commanded Moses.

Ephod. They made the Ephod using gold and blue, purple, and scarlet fabrics and finely twisted linen. They hammered out gold leaf and sliced it into threads that were then worked into designs in the blue, purple, and scarlet fabric and fine linen. They made shoulder pieces fastened at the two ends. The decorated band was made of the same material—gold, blue, purple, and scarlet material, and of fine twisted linen—and of one piece with it, just as God had commanded Moses.

They mounted the onyx stones in a setting of filigreed gold and engraved the names of the sons of Israel on them, then fastened them on the shoulder pieces of the Ephod as memorial stones for the Israelites, just as God had commanded Moses.

Breastpiece. They made a Breastpiece designed like the Ephod from gold, blue, purple, and scarlet material, and fine twisted linen. Doubled, the Breastpiece was nine inches square. They mounted four rows of precious gemstones on it. First row: carnelian, topaz, emerald.

They made braided chains of pure gold for the Breastpiece, like cords. They made two settings of gold filigree and two rings of gold, put the two rings at the two ends of the Breastpiece, and fastened the two ends of the cords to the two rings at the end of the Breastpiece. Then they fastened the cords to the settings of filigree, attaching them to the shoulder pieces of the Ephod in front. Then they made two rings of gold and fastened them to the two ends of the Breastpiece on its inside edge facing the Ephod. They made two more rings of gold and fastened them in the front of the Ephod to the lower part of the two shoulder pieces, near the seam above the decorated band of the Ephod. The Breastpiece was fastened by running a cord of blue through its rings to the rings of the Ephod so that it rested secure on the decorated band of the Ephod and wouldn't come loose, just as God had commanded Moses.

Robe. They made the robe for the Ephod entirely of blue. The opening of the robe at the center was like a collar, the edge hemmed so that it wouldn't tear. On the hem of the robe they made pomegranates of blue, purple, and scarlet material and fine twisted linen. They also made bells of pure gold and alternated the bells and pomegranates—a bell and a pomegranate, a bell and a pomegranate—all around the hem of the robe that was worn for ministering, just as God had commanded Moses.

They also made the tunics of fine linen, the work of a weaver, for Aaron and his sons, the turban of fine linen, the linen hats, the linen underwear made of fine twisted linen, and sashes of fine twisted linen, blue, purple, and scarlet material and embroidered, just as God had commanded Moses.