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The 1901 Jewish Encyclopedia
âIn Mystic Lore:
The allegorical use of the name "Bride" for "Israel" is based upon Hosea 2:19-20: "I will betroth thee forever," and, in conjunction with Ezekiel 16:8, gave rise to the allegorical interpretation of the Song of Solomon as typifying the espousal of God as the King of Peace (Solomon) and Israel (the Shulamite), at the redemption from Egypt and the erection of the tabernacle (see Pesiá¸³. 1a, 6a; Pesiá¸³. R., ed. Friedmann, 5:17b, 21b; Cant. R. to 55:8-12, where the expression "kallah" [bride] is referred to Israel). However, according to Origen ("Cantic. Canticor." Homily; compare also "Teá¸¥ilat Perush Shir ha-Shirim" in "Steinschneider Festschrift" and See See ALLEGORICAL INTERPRETATION), the Palestinian Jews gave the Song of Solomon a mystical interpretation, allowing it to be studied only by men of mature age. This would indicate that, like the "merkabah" of Ezekiel andthe Creation story, the Song of Solomon served as a basis for Gnostic mysteries such as Paul suggests in Ephesians 5:32, where he finds in the union of husband and wife "a sacred mystery," obviously of cosmological character. Accordingly, the bride and bridegroom were important in the Gnostic mysteries. See IrenÃ¦us, "Adversus HÃ¦reses," 1:7:1: "Hakamot (Sophia), the mother, after all her seed had been perfected, enters the pleroma as bride and receives the Savior or Demiurge as her spouse," which "mystery of conjunction" these heretics dramatically imitated in their illicit marriages.
Yet these mysteries borrowed the anthropomorphic form of the Deity from the Song of Solomon (Schmidt, "Gnostische Schriften in Koptischer Sprache," 1892, pp. 279-281, where Song of Solomon 3:11 is quoted), exactly as did the Jewish cabalists when measuring the dimensions of the Deity in the "Shi'ne á¸²omah" (Gaster, "Monatsschrift," 1893, p. 216).
In conformity with this idea Malkut, "the Kingdom," the lowest of the Ten Sefirot, is called the bride, because she desires, but has not attained, the union with Ze'er Anpin, the creative power or "Microprosopus" (the Lesser Countenance); where-as Binah ("the Intelligence"), as the Mother Supernal, is actually united with the Father, "the Ancient One," the Erek Anpin ("the Vast Countenance," or "Macroprosopus")in the Upper Sphere of the Ten Sefirot (Zohar, in Idra Zuá¹á¹a, pp. 267-279). Sefirot.
The union therefore of the bride or matron ("matronita") with her celestial spouse, that is to lift the created world into the sphere of the supreme fulness of glory (the pleroma of Paul in Ephesians 3:19), by doing works of goodness and holiness, is the object of life, according to the cabalistsâa truly spiritual view in itself, yet one which led the erring to all sorts of abuse, exactly as the ancient Gnostic mystery of SIMON MAGUS and many Christian heretics had done in the second and third centuries. Shabbethai áºebi and his followers in the seventeenth century were entangled in sensualism of the worst character. Compare Sabbath. also Betrothal.
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Singer, Isidore, Ph.D, Projector and Managing Editor. Entry for 'Bride'. 1901 The Jewish Encyclopedia. https://www.studylight.org/encyclopedias/eng/tje/b/bride.html. 1901.
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